<node id="175121">
  <nid>175121</nid>
  <type>external_news</type>
  <uid>
    <user id="27663"><![CDATA[27663]]></user>
  </uid>
  <created>1354616540</created>
  <changed>1475893569</changed>
  <title><![CDATA[Bogost on the Lytro Camera's Impact on Photography]]></title>
  <body><![CDATA[<p>"As a photographic format, the light field camera doesn't really upset or replace Cartier-Bresson's foundational observation about photographic practice: making still images is a process of finding the right moment to hold still forever. There are more and less decisive images, but every photograph must contend with the crisis of choosing such a moment, whether by intention or chance," writes <a href="http://www.iac.gatech.edu/faculty-and-staff/faculty/bio/bogost" target="_self"><strong>Ian Bogost</strong></a>, professor in the <strong>School of Literature, Media, and Communication</strong>. <em>Source: <a href="http://www.theatlantic.com/technology/archive/2012/12/a-machine-that-makes-cameras-the-aesthetics-of-the-lytro/265692/" target="_blank">The Atlantic</a>, December 3, 2012</em></p>]]></body>
  <field_article_url>
    <item>
      <url><![CDATA[http://www.theatlantic.com/technology/archive/2012/12/a-machine-that-makes-cameras-the-aesthetics-of-the-lytro/265692/]]></url>
      <title><![CDATA[]]></title>
    </item>
  </field_article_url>
  <field_publication>
    <item>
      <value><![CDATA[ JS Coon Building ]]></value>
    </item>
  </field_publication>
  <field_dateline>
    <item>
      <value>2012-12-03</value>
      <timezone></timezone>
    </item>
  </field_dateline>
  <field_media>
        </field_media>
  <og_groups>
          <item>1281</item>
          <item>1283</item>
      </og_groups>
  <og_groups_both>
          <item><![CDATA[Ivan Allen College of Liberal Arts]]></item>
          <item><![CDATA[School of Literature, Media, and Communication]]></item>
      </og_groups_both>
    <field_userdata>
      <![CDATA[]]>
  </field_userdata>
</node>
