{"176721":{"#nid":"176721","#data":{"type":"news","title":"Utz Publishes Essay, \u0022Robin Hood, Frenched\u0022","body":[{"value":"\u003Cp\u003EThe essay collection, which draws from an eclectic mix of scholars from the US, UK, and Australia, examines the persistence of medieval themes, characters, and situations in a variety of media from reality television to Virginia Woolf, Arthurian film to Disney animation, Shrek to historical fantasy. Each essay demonstrates that the Middle Ages is not static but continues as a vital presence in contemporary popular culture, changing our assumptions about the flow of history and the creation of the present. \u003Cbr \/\u003E \u003Cbr \/\u003E Utz\u0027s essay examines a series that appeared on French television between 1963 and 1966. Entitled \u003Cem\u003EThierry La Fronde\u003C\/em\u003E, or Thierry the Sling, the successful series, which was also shown in Canada, Poland (\u003Cem\u003EThierry \u015amia\u0142ek\u003C\/em\u003E), Australia (\u003Cem\u003EThe King\u0027s Outlaw\u003C\/em\u003E), and the Netherlands (\u003Cem\u003EThierry de Slingeraar\u003C\/em\u003E), transposes the English Robin Hood narrative into late medieval France.\u003C\/p\u003E\u003Cp\u003EDrawing from the postmedieval English tradition surrounding Robin Hood, in which the protagonist appears as a member of the nobility who has fallen from grace, Thierry de Janville, a young nobleman, who had fought against the English occupation during the Hundred Years War, and loses his title and lands because of his disloyal steward. Taking the name \u0022Thierry La Fronde\u0022 and surrounding himself with a host of merry men (and Isabelle, his \u0022Maid Marian\u0022), he resists the Black Prince and his allies. Utz\u0027s analysis of the series addresses the feuilleton\u0027s indebtedness to numerous elements of the Robin Hood narrative, characters, and episodes, specifically those in \u003Cem\u003EThe Adventures of Robin Hood\u003C\/em\u003E and \u003Cem\u003EIvanhoe\u003C\/em\u003E, two TV shows targeting Anglo-American audiences in the 1950s. Utz also points out how the series presents an excellent reservoir for investigating common 1960s conceptions about medieval history, literature, and culture.\u003C\/p\u003E","summary":null,"format":"limited_html"}],"field_subtitle":"","field_summary":[{"value":"\u003Cp\u003EUtz, Chair of LMC, publishes on Robin Hood in a collection edited by Gail Ashton and Daniel T. Kline, Medieval Afterlives in Popular Culture, which is part of Palgrave\u0027s The New Middle Ages Series.\u003C\/p\u003E","format":"limited_html"}],"field_summary_sentence":"","uid":"27725","created_gmt":"2012-12-11 15:09:40","changed_gmt":"2016-10-08 03:13:22","author":"Carol Senf","boilerplate_text":"","field_publication":"","field_article_url":"","dateline":{"date":"2012-12-11T00:00:00-05:00","iso_date":"2012-12-11T00:00:00-05:00","tz":"America\/New_York"},"extras":[],"hg_media":{"176711":{"id":"176711","type":"image","title":"Richard Utz","body":null,"created":"1449179031","gmt_created":"2015-12-03 21:43:51","changed":"1475894819","gmt_changed":"2016-10-08 02:46:59","alt":"Richard Utz","file":{"fid":"195888","name":"richard_utz_1.jpg","image_path":"\/sites\/default\/files\/images\/richard_utz_1_0.jpg","image_full_path":"http:\/\/www.tlwarc.hg.gatech.edu\/\/sites\/default\/files\/images\/richard_utz_1_0.jpg","mime":"image\/jpeg","size":21674,"path_740":"http:\/\/www.tlwarc.hg.gatech.edu\/sites\/default\/files\/styles\/740xx_scale\/public\/images\/richard_utz_1_0.jpg?itok=h8o7X2l3"}},"176731":{"id":"176731","type":"image","title":"The New Middle Ages","body":null,"created":"1449179031","gmt_created":"2015-12-03 21:43:51","changed":"1475894819","gmt_changed":"2016-10-08 02:46:59","alt":"The New Middle Ages","file":{"fid":"195889","name":"the_new_middle_ages.jpg","image_path":"\/sites\/default\/files\/images\/the_new_middle_ages_0.jpg","image_full_path":"http:\/\/www.tlwarc.hg.gatech.edu\/\/sites\/default\/files\/images\/the_new_middle_ages_0.jpg","mime":"image\/jpeg","size":7599,"path_740":"http:\/\/www.tlwarc.hg.gatech.edu\/sites\/default\/files\/styles\/740xx_scale\/public\/images\/the_new_middle_ages_0.jpg?itok=90-cy84v"}}},"media_ids":["176711","176731"],"groups":[{"id":"1281","name":"Ivan Allen College of Liberal Arts"}],"categories":[{"id":"135","name":"Research"}],"keywords":[{"id":"49401","name":"medieval studies"},{"id":"52761","name":"research. popular culture"},{"id":"2538","name":"television"}],"core_research_areas":[{"id":"39501","name":"People and Technology"}],"news_room_topics":[],"event_categories":[],"invited_audience":[],"affiliations":[],"classification":[],"areas_of_expertise":[],"news_and_recent_appearances":[],"phone":[],"contact":[],"email":["richard.utz@lmc.gatech.edu"],"slides":[],"orientation":[],"userdata":""}}}