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  <title><![CDATA[Marc Downie - The OpenEnded Group]]></title>
  <body><![CDATA[<p>Part artist's talk, part manifesto, this lecture will
describe recent work by the New York based art collective The OpenEnded Group.
This work spans film, public art, dance and installation. Always in
collaboration, always in real-time their practice has spawned a parallel series
of investigations into the tools and representations used to make digital art.
This thought has become embodied in a new open source platform for programming
art called Field. What kinds of tools do we need to survive the complex forms
that we can create? what kinds of interactions can we have with the code that
we write? and what kinds of collaborations and communities of artists might
arise around these platforms? At stake in these questions is nothing less than
the artist's relationship to digital media itself.</p>

<p><a href="http://openendedgroup.com/index.php/about/artwork-summaries/" target="_blank">See Artwork Summaries</a></p>

<h4>About Marc Downie</h4><p>Marc Downie is an artist and artificial intelligence
researcher. Born in Aberdeen, UK, he has an MA in natural science and a MSci in
physics from the University of Cambridge, graduating at the head of his class
with the Mott Prize in the Natural Sciences. In 2005 he obtained a PhD from
MIT’s Media Lab, writing a thesis entitled “<a href="http://openendedgroup.com/?page_id=126" target="_blank">Choreographing the Extended Agent.</a>” Downie’s complex algorithmic
systems are inspired by natural systems and a critique of prevalent digital
tools and techniques. His interactive installations, compositions, and
projections have presented advances in the fields of interactive music, machine
learning, and computer graphics. In addition to extensive collaborations with
his key colleagues Paul Kaiser and Shelley Eshkar, Downie has worked with Merce
Cunningham, Bill T. Jones, and Trisha Brown. While he was at the MIT Media Lab,
he collaborated extensively with colleagues there, playing key roles in
projects such as as AlphaWolf (A Prix Ars Electronica honorable mention in
2002), Dobie (SIGGRAPH 2002), and (void *) (SIGGRAPH 2000), and Jeux Deux
(2006). Downie’s solo works include the series <a href="http://openendedgroup.com/?page_id=63" target="_blank">Musical Creatures</a> (2000-3), which have been exhibited internationally. Downie
has made his <a href="http://www.openendedgroup.com/field" target="_blank">multimedia authoring system Field</a> available to others as an open source project.</p>]]></body>
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            <title><![CDATA[The OpenEnded Group]]></title>
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      <value><![CDATA[<p><a href="mailto:teri.nagel@coa.gatech.edu" target="_blank">Teri Nagel</a>, Georgia Tech College of Architecture</p><p>404-385-2156</p>]]></value>
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